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Project Files that allow you to fully reverse engineer Mr. Bill's tracks. Learn from the inside, how to achieve that sound you heard! Download exclusive project files. Play, modify, reverse engineer, enjoy! Featured Project File. Bill & Andrew Huang. Ableton Live Set Template $ 19.99 Add to cart; Not a Hardcore Abletoneer yet? 20 of the best free Ableton project files. Use them as templates, get your hands on some samples, and learn some new techniques. Download them for free today.
Learn how to Create Astonishing Drum and Bass Productions!
DnB Project Files for Ableton
- 3 Projects Plus Walkthrough Videos
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Ghosthack is my go to sample source. High quality drums that really sit up in the mix. Will buy again!
Donnell R. from United States , Certified Customer
The pack contains organized project files from these three tracks!
Learn How to Produce Professional Drum and Bass Tracks in Ableton
Now here we have some detailed and easy-to-understand Ableton projects for you to scan through and get to know the technique of a professional Drum'n'Bass track.
Each project file contains one track for the styles Liquid, Deep and Neurofunk.
It's been a really long while since I pirated this one so I'll at least try to point you in the right direction:. Daemon tools: a virtual disc drive tool to load up Iso'sGet the free light version that limits you to like 1 or 3 discs at a time or pirate it too for like 8 drives.Make sure your torrent is from a more reliable place, I remember using vstitorrent and rutracker or something for this one.Load the Isos on the virtual drives and install them one after the other to install (the steam folder I think?).There will be a patcher If I remember and you have to patch like three files I think.
With these tracks you can retrace every step from the sound designer, acquire useful production skills and refine your personal style. Two videos accompany each project for better understanding. One shows the development of basslines, melodies, effects and drums and the general composing techniques. The other gets into the mastering process, demonstrates mixing plugins and certain critical parameters.
This collection of Ableton projects can spare you hours of try & error.
Enter the next phase.
You need at least version 9 of Ableton and the latest version of Serum in order to use these project files!
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Frequently Asked Questions
What Daw/Plugins do I need?
You need at least version 9 of Ableton and the latest version of Serum in order to use these project files.
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If You arent fully satisfied with this pack, just send us an email via our contact form.
Can I use these sounds for commercial projects?
All files are royalty free, so they can be used in commercial projects without any problems.
How many times have you listened to an immaculately produced track and wondered how they did it? Perfect mixdowns can seem mysterious and unattainable, especially when you’re using the same production tools as a top-flight producer, but your results don’t sound that way. Perhaps a look under the hood of a big artist’s Live Set would shed some light on the techniques that separate stadium bangers from a humble demo.
Lucky for us, Dutch EDM veteran Laidback Luke has obliged our curiosity. You can download and examine the Live Set for his production “Stepping To The Beat” via the creative sharing platform Splice and see how it’s all done. You’ll need to sign up for a free account and download the Splice app to get at Luke’s Live Set, and try out his techniques for yourself.
We took the opportunity to chat to Luke about the Live Set, the perils of mixing in stereo, the importance of layering, and mixing down for club systems.
Download Laidback Luke’s Live set via Splice.
There is a whole lot of layering in this track. Are you spending much time working the EQs and envelopes to get these elements to sit together? Do you have any go-to methods for achieving balanced layering?
The key to proper layering is to find the gaps in the frequencies and then fill them up with sounds that specifically stand out in those frequencies. It can be as simple as saying, “Oh, my lead sounds a bit thin right now,” and then looking for an additional sound that has a lot going on in the 300-Hz range. If it were only those two sounds, I'd EQ out some 3 kHz in the 300-Hz-type sound. And in my thin lead, I'd make sure there were no 300 Hz sounds. This way, the two would fit together like the pieces of a puzzle. Group them in one channel, put a little bit of compression in there as glue, and they'll operate as one unit.
The1.6.3 version of Serato DJ includes the new driver needed to update the Rane Sixty-Two firmware to the latest 2.21 build. If the Update Firmware panel is not greyed out, and the button is yellow, a firmware update is necessary. Rane Control Panel for Windows 7-SP1 and higher (including the ASIO/MIDI driver) v2.4.0. MP2015 and MP2014 Magazine Advert. MP2015 Mixer Manual. SL4 Owners Manual for Scratch Live 2.5.0. Serato Scratch Live Software. SL4 Quick Start with Scratch Live Keyboard Shortcuts. MP4 Mixer for Serato Scratch Live. MP 22 Club Mixer. MP24 DJ Mixer. MP25 Club Mixer. MP26 Club Mixer. MP 44 Club Mixer. MM 8 Mojo Mixer. Sixty-One Mixer. Sixty-Two Mixer. Sixty-Two Z Mixer. Sixty-Four Mixer. Sixty-Eight Club Mixer. SL1 for Serato Scratch Live. SL2 for Serato. SL3 for Serato. TTM 52 Mojo Perfomance Mixer. TTM 54i Performance. How to install Serato drivers for your Rane hardware (Windows). During the uninstall process make sure to check the 'Delete Device Driver Software' option in the lower left corner of the pop up. Once the driver is gone, unplug the Rane Interface and plug it back into a different USB port on your Computer and delete the driver if it shows.
You’ve mentioned the importance of testing out your sub levels on club systems. Do you have any advice for those who don't have access to big stacks on a regular basis? Cheaper monitors with ported bass cavities can confuse your perception of the low end, so perhaps a good pair of headphones are more appropriate.
I produce everything on my SOL Republic Calvin Harris XC headphones. Even in the studio! So yes, I'm very much a headphones type of producer. You know what? Over almost two decades of producing music, I've developed such sensitive ears that I can't deal with the “sweet spot” in a studio environment. To me, having a sweet spot in a room means that if I move my head, the sound will change. My whole mix will sound different all of a sudden! I can't deal with that anymore. This gets eliminated by using headphones. Afterwards it's good to check on any system you can. On your laptop speakers, in your car, on your phone.
Ableton Live Projects Free Download
One main thing I do on my headphones in order not to lose track of excessive frequencies is to constantly A/B test my production with professional tracks that I know sound good everywhere. Those tracks are the law, your maps, your guidelines to a great sound.
So how they sound on your headphones is how your track should sound on headphones as well. On headphones, mixing in mono is key though! I always say: “Mono is the truth.”
The stereo image of a track can easily fool your ears. So basically I put everything in stereo at the very end of finishing off a track.
How do you keep in touch with the energy levels required in the club when you're sitting in your studio? For some it's easy to lose perspective when you're on your own trying to imagine what's going to work for a crowd.
Absolutely, so that's why I can't stress enough that you need to keep comparing your work to tracks that you know sound good in a club. That's your guideline. If your tracks sound more subby, more mid-rangey or more intense than those guide tracks, you'll know you'll have some very wrong and harmful frequencies when you’re playing in the club.
Ableton Live 10 Project Files Download Free
Keep up with Laidback Luke on his website and Soundcloud